Documentation updates.

My, an awful lot has changed!
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Electric Keet 2025-11-13 15:44:23 -08:00 committed by tildearrow
parent 0d396d4416
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27 changed files with 144 additions and 65 deletions

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@ -7,4 +7,7 @@ this window provides a list of the effects that are available.
for more details about these effects, see [the effects page](../3-pattern/effects.md).
- **Chip at cursor**: the currently selected chip. the list only shows available effects for this chip.
- filter bar: type to filter the list to show only matching effects.
- menu button: opens a small list of effect categories. toggle each to change whether effects belonging to such categories will be shown in the list.
- **All**: show all effects.
- **None**: show no effects.

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@ -7,16 +7,39 @@ Furnace allows you to export your song in several formats. this section deals wi
this option allows you to export your song in .wav format. I know I know, no .mp3 or .ogg export yet, but you can use a converter.
- **Export type**:
- **one file**: exports your song to one .wav file.
- **multiple files (one per chip)**: exports the output of each chip to .wav files.
- **multiple files (one per channel)**: exports the output of each channel to .wav files.
- useful for usage with a channel visualizer such as corrscope.
- **Bit depth**: default is 16-bit integer.
- **Sample rate**: affects the quality of the output file.
- default is 44100, "CD quality".
- lower sample rates lose fidelity as upper frequencies disappear.
- higher sample rates gain frequencies that can't be heard at the cost of file size and rendering time.
- **Channels in file**: default is 2 (stereo). Set to 1 for mono.
- **one file**: exports your song to a single file.
- **multiple files (one per chip)**: exports the output of each chip to its own file.
- **multiple files (one per channel)**: exports the output of each channel to its own file.
- ideal for use with a channel visualizer such as [corrscope](https://github.com/corrscope/corrscope).
- **File Format**: select the output format. each format has its own options.
- **Wave**: lossless uncompressed .wav format. largest file size but perfect quality. most useful for files that will need further editing.
- **Bit depth**: default is 16-bit integer.
- **Sample rate**: affects the quality of the output file.
- default is 44100, "CD quality".
- lower sample rates lose fidelity as upper frequencies disappear.
- higher sample rates gain frequencies that can't be heard at the cost of file size and rendering time.
- **Channels in file**: default is 2 (stereo). Set to 1 for mono.
- **Opus**: lossy compressed .opus format. smaller size than either MP3 or Vorbis for better quality sound, but less common support than other formats.
- **Channels in file**: default is 2 (stereo). Set to 1 for mono.
- **Bit rate**: higher numbers generate better quality sound and larger file size. default is 128000.
- **FLAC (Free Lossless Audio Codec)**: lossless compressed .flac format. good for archival or editing, as it preserves original sound data.
- **Sample rate**: affects the quality of the output file. see above.
- **Channels in file**: default is 2 (stereo). Set to 1 for mono.
- **Compression level**: higher levels take slightly longer to pack but yield much better compression. default is 6.0.
- **Vorbis**: lossy compressed .ogg format. better quality sound than MP3 with smaller file size. fairly common support
- **Sample rate**: affects the quality of the output file. see above.
- **Channels in file**: default is 2 (stereo). Set to 1 for mono.
- **Quality**: compression rate. higher numbers produce larger files of higher fidelity. default is 8.0.
- **MP3**: lossy compressed .mp3 format. it's the old standard; worst quality for the file size, but it sees the most widespread support and use.
- **Sample rate**: affects the quality of the output file. see above.
- **Channels in file**: default is 2 (stereo). Set to 1 for mono.
- **Bit rate mode**:
- **Constant**: fixed bit rate regardless of content. default.
- **Bit rate**: higher numbers generate better quality sound and larger file size. default is 128000.
- **Variable**: bit rate adapts to the content. generates smaller files for the same quality.
- **Quality**: higher numbers produce larger files of higher fidelity. default is 6.0.
- **Average**: a compromise; the steady bit rate of "constant" with higher quality, but less efficiently compressed than "variable".
- **Bit rate**: higher numbers generate better quality sound and larger file size. default is 128000.
- **Loops**: sets the number of times the song will loop.
- does not have effect if the song ends with `FFxx` effect.
- **Fade out (seconds)**: sets the fade out time when the song is over.

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@ -33,6 +33,7 @@ the keys in the "Global hotkeys" section can be used in any window, although not
| Decrease edit step | `Ctrl-Keypad /` |
| Toggle edit mode | `Space` |
| Metronome | `Ctrl-M` |
| Toggle order lock | — |
| Toggle repeat pattern | — |
| Follow orders | — |
| Follow pattern | — |
@ -75,6 +76,9 @@ the keys in the "Global hotkeys" section can be used in any window, although not
| Effect List | — |
| Debug Menu | `Ctrl-Shift-D` |
| Command Stream Player | — |
| Reference Music Player | — |
| Tuner | — |
| Spectrum | — |
| About | — |
| Collapse/expand current window | — |
| Close current window | `Shift-Escape` |

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@ -115,6 +115,8 @@ all these menu items show or hide their associated windows.
- **[oscilloscope (per-channel)](../8-advanced/chanosc.md)**
- **[oscilloscope (X-Y)](../8-advanced/xyosc.md)**
- volume meter
- **[tuner](../8-advanced/tuner.md)**
- **[spectrum](../8-advanced/spectrum.md)**
- tempo
- **[clock](../8-advanced/clock.md)**
- **[grooves](../8-advanced/grooves.md)**
@ -127,6 +129,8 @@ all these menu items show or hide their associated windows.
- **[effect list](../3-pattern/effects.md)**
- **[play/edit controls](play-edit-controls.md)**
- **[piano/input pad](../8-advanced/piano.md)**
- **[reference music player](../8-advanced/refPlayer.md)**
- **[multi-ins setup](../8-advanced/multi-ins.md)**
## help

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@ -8,10 +8,14 @@ the "Play/Edit Controls" are used to control playback and change parameters of t
- ![play repeat](control-play-repeat.png) **Repeat from the beginning of this pattern**: repeats current pattern from its start.
- ![step](control-step.png) **Step one row**: plays only the row at cursor position and moves down one.
- ![edit](control-edit.png) **Edit**: toggles edit mode. when turned off, you won't be able to enter notes.
- ![lock](control-lock.png) **Lock**: toggles the cursor lock, which keeps the cursor in the currently selected order.
- ![lock](control-lock.png) **Lock**: toggles the order lock, which keeps the cursor in the currently selected order.
- ![metronome](control-metronome.png) **Metronome**: toggles the metronome, which only works during playback.
- ![repeat](control-repeat.png) **Repeat pattern**: toggles pattern repeat. during playback while this is on, the current pattern will play over and over instead of following the order list.
- **Poly**: turns on polyphony for previewing notes. toggles to **Mono** for monophony (one note at a time only).
- polyphony toggle: cycles through the following options.
- **Mono**: monophony. preview one note at a time only.
- **Poly**: polyphony. preview multiple notes at once, using other channels of the same type on the same chip. default.
- **Chord**: chord input. as polyphony, with the added feature that while keys are held, notes past the first are entered on the same row in adjacent channels.
- some keyboards have limits on the number of keys that can be held at the same time. this is not a Furnace issue.
- **Octave**: sets current input octave.
- **Edit Step**: sets edit step. if this is 1, entering a note or effect will move to the next row. if this is a larger number, rows will be skipped. if this is 0, the cursor will stay in place.
- if clicked, Step becomes **Coarse**, which sets the number of rows moved with `PgUp`, `PgDn`, and related movement shortcuts. clicking again will revert it to Step.

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@ -87,6 +87,7 @@ settings are saved when clicking the **OK** or **Apply** buttons at the bottom o
- **New instruments are blank**: when enabled, adding FM instruments will make them blank (rather than loading the default one).
### Configuration
- **Import**: select an exported `.ini` config file to overwrite current settings.
- **Export**: select an `.ini` file to save current settings.
- **Factory Reset**: resets all settings to default and purges settings backups.
@ -94,6 +95,7 @@ settings are saved when clicking the **OK** or **Apply** buttons at the bottom o
### Import
- **Use OPL3 instead of OPL2 for S3M import**: changes which system is used for the import of S3M files that contain FM channels.
- **Load sample fine tuning when importing a sample**: as it says. may result in glitches with some samples.
## Audio
@ -103,6 +105,8 @@ settings are saved when clicking the **OK** or **Apply** buttons at the bottom o
- SDL: the default one.
- JACK: the JACK Audio Connection Kit (low-latency audio server). only appears on Linux, or MacOS compiled with JACK support.
- PortAudio: this may or may not perform better than the SDL backend.
- ASIO: Audio Stream Input/Output. extremely low latency, if your system has a driver for it. after selecting it, click "Apply" to see available devices.
- **Control Panel**: opens the ASIO driver's control panel. you must first select a device and click "Apply".
- **Driver**: select a different audio driver if you're having problems with the default one.
- only appears when Backend is SDL.
- **Device**: audio device for playback.
@ -576,6 +580,16 @@ below all the binds, select a key from the dropdown list to add it. it will appe
- **Show channel indicators**: chooses whether to show the row "LED" channel indicators in the chip manager.
### Mixer
- **Mixer layout:**
- **Horizontal**: a horizontal arrangement of tall mixer sliders.
- **Vertical**: a vertical stack of wide mixer sliders. default.
- **Mixer style:**
- **No volume meters**
- **Volume meters separate**: default.
- **Volume meters in volume sliders**
### Windows
- **Rounded window corners**

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@ -100,19 +100,13 @@ in there, you can modify certain data pertaining to your sample, such as the:
- **no BRR filters**: when encoding to BRR, only use a "4-bit mode" with block filter set to 0.
- this allows usage of sample offset effects on SNES.
- only appears when applicable.
- **Rate**: switches to normal rate values.
- **Compat Rate**: switches to DefleMask-compatible rate values for sample mapping.
- **use of this is discouraged!**
- **Hz**: base frequency of sample played at `C-4`.
- **Note**: note corresponding to Hz.
- **Fine**: fine tuning. ranges from -64 to 63, which maps to -1 to almost +1 semitone.
- **Fine**: fine tuning. ranges from -64 to 63, which maps from -1 to almost +1 semitone.
- **Loop**: enable or disable sample loop. only on supported chips.
- **Mode**: direction of loop. backward and ping pong loops are only natively available on some chips.
- **Start**: start of loop.
- **End**: end of loop.
- **Start**: start of loop. if the sample is on a chip that limits loop points to specific values, hovering over this will highlight them in the editor.
- **End**: end of loop. similarly, hovering will highlight valid loop points.
- **Chips:** set assignment to chips and sample banks.
- sample will only be uploaded to selected chips.
- columns correspond to chips in use.
@ -125,17 +119,20 @@ in there, you can modify certain data pertaining to your sample, such as the:
- **Resize**: stretches sample. pops up a dialog to type new length.
- **Resample**: stretches sample. pops up a dialog box:
- **Rate**: new sample rate.
- **Length**: new sample length.
- **Factor**: multiplier of original sample rate.
- **0.5x**: halves sample rate.
- **==**: returns to original sample rate.
- **2.0x**: doubles sample rate.
- **Factor**: multiplier of original sample rate.
- **Filter**: selects interpolation filter for resampling.
- **Undo**: undoes previous edit.
- **Redo**: redoes undone edit.
- **Amplify**: changes amplitude of selection. pops up a dialog to type amount.
- **Amplify/Offset**: pops up a dialog to enter amounts.
- **Volume**: amplifies selection.
- **DC Offset**: shifts selection up (positive values) or down (negative values).
- **Normalize**: adjusts amplitude of selection to maximum without clipping.
- **Fade in**: ramp amplitude of selection from 0 to original.
- **Fade in**: ramp amplitude of selection from original to 0.
- **Fade in**: ramps amplitude of selection from 0 to original.
- **Fade in**: ramps amplitude of selection from original to 0.
- **Insert silence**: inserts silence. pops up a dialog to type length.
- **Apply silence**: reduces amplitude of selection to 0.
- **Delete**: removes selection.
@ -173,3 +170,8 @@ in the sample viewer:
- **paste (mix)**: mixes the sample clipboard into the existing sample, beginning at the start of the selection.
- **set loop to selection**: changes loop region to match selection.
- **create wavetable from selection**: copies the selection into a new wavetable entry.
in the bottom status bar:
- **Select**: set selection start and end positions using the two numeric entry boxes. total selection length will be shown next to them.
- cursor position and sample value.
- loop size in samples and bytes.

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@ -36,5 +36,5 @@ the following icons are displayed when channel status is enabled in the pattern
the following options are available in the Chip Manager window:
- **Pseudo-PAL**: run the chip on a PAL clock. such a configuration has (probably) never existed, despite a planned official PAL version of the PC Engine.
- **Disable anti-click**: waveform switching requires a phase reset, which may cause clicks. Furnace uses a wave-position predicting algorithm to minimize these clicks. enable this option to disable it.
- **Disable anti-click**: waveform switching requires a phase reset, which may cause clicks. Furnace uses a wave-position predicting algorithm to minimize these clicks. enable this option to turn off the feature.
- **Chip revision**: sets the chip revision. HuC6280A has less pops.

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@ -15,7 +15,9 @@ this chip uses the [Watara Supervision](../4-instrument/watarasv.md) and [Generi
### sample info
the sample channel is a 4-bit DMA channel with 4 frequencies assigned to sample octaves (C2, C3, C4, C5; C, C#, D, D# in Furnace respectively). max sample size is 4 kilobytes (8192 samples), samples are padded to multiples of 32 samples, and loop points are ignored.
the sample channel is a 4-bit DMA channel with 4 playback frequencies (1953.125, 3906.25, 7812.5, and 15625) assigned to the notes C, C#, D, and D# in all octaves.
max sample size is 4 kilobytes (8192 samples), samples are padded to multiples of 32 samples, and loop points are ignored.
## chip config

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@ -7,7 +7,7 @@ the "Channels" dialog allows manipulation of the song's channels.
each channel has the following options:
- **Pat**: uncheck the box to hide the channel from the pattern view. pattern data will be kept.
- **Osc**: uncheck the box to hide the channel from the per-channel oscilloscope view.
- **Swap**: click and drag to rearrange pattern data throughout the song.
- crossed arrows buttons: click and drag to rearrange pattern data throughout the song.
- note: this does **not** move channels around! it only moves the channel's pattern data.
- **Name**: the name displayed at the top of each channel in the pattern view.
- the next setting is "short name", which is displayed in the orders view and/or when a channel is collapsed.

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@ -4,24 +4,17 @@ the "Mixer" dialog provides options for overall sound mixing.
## "Mixer" tab
![mixer dialog on mixer tab](mixer-mixer.png) <!--new image(s) needed!-->
![mixer dialog on mixer tab](mixer-mixer.png)
**Master Volume** controls the overall mix.
each chip has several options:
- **Invert**: flips the output wave.
- **Volume**: controls the chip's volume relative to other chips.
- **Panning**: left-right sound control.
- **Front/Rear**: front-read sound control. only useful for setups with four or more speakers.
- **invert**: inverts the output wave.
- **volume**: controls the chip's volume relative to other chips.
- **panning**: left-right balance.
- **fade**: front-rear balance. only useful for setups with four or more speakers.
### Mixer-specific settings <!--in settings-->
- **Mixer layout**: how the mixer is shown.
- **Horizontal**: arranges the "chips"<!--reword!--> horizontally, with vertical volume sliders.
- **Vertical**: arranges the "chips"<!--ditto--> vertically, with horizontal volume sliders.
- **Mixer style**:
- **No volume meters**: does not show per-chip volume meters.
- **Volume meters separate**: shows per-chip volume meters below or to the right (depending on the layout) of the volume slider.
- **Volume meters in volume sliders**: shows per-chip volume meters inside the volume sliders.
settings for the mixer display can be found in Settings > Appearance near the bottom.
## "Patchbay" tab

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@ -1,11 +1,11 @@
# multi-instrument playback
the instrument list allows you to select more than one instrument by shift-clicking. doing so engages multi-instrument playback mode, where note input will play multiple instruments at once.
the instrument list allows you to select up to 8 instruments by shift-clicking. doing so engages multi-instrument playback mode, where note input will play multiple instruments at once (as channel limits allow).
the following window also appears, allowing you to set the note offset (in semitones) for each instrument:
the following window also appears.
```
TODO: IMAGE!
```
![multi-instrument setup](multi-ins.png)
up to 8 instruments can be played at a time.
clicking the arrows will set the note offset (in semitones) for each selected instrument. clicking a column resets it to zero. right-clicking the arrows will change their value by a full octave.
multi-instrument playback cannot be used while polyphony is set to "Mono".

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@ -24,10 +24,25 @@ right-clicking on the piano keys will make the buttons disappear; right-clicking
## options
key layout:
**Key layout:**
- **Automatic**
- **Standard**: black keys are 2/3 length.
- **Continuous**: black keys are full length.
**Value input pad:**
- **Disabled**
- **Replace piano**: replaces the piano with buttons for hexadecimal numeric entry when needed (when the pattern editor's cursor is in a hex column).
- **Split (automatic)**: displays a separate entry pad when needed.
- **Split (always visible)**: always displays the entry pad.
**Key labels:**
- **Off**
- **Octaves**
- **Notes**
- **Notes (with octave)**
- **Octaves (with C)**
- **Notes + Octaves**
**Share play/edit offset/range**: if disabled, the piano will keep different octave and range values for playback and non-playback states.
**Read-only (can't input notes): prevents note entry.
**Read-only (can't input notes)**: prevents note entry.

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@ -1,6 +1,21 @@
# reference music player
the Music Player window is a small audio player that can synchronize with the tracker playback.
<!--IMAGE
![reference music player window]()-->
<!--TODO: the rest-->
![reference music player window](reference.png)
below the time is the playback bar which can be used to scrub through the loaded file.
below that, from left to right:
- open file: choose an audio file to play.
- cue.
- left click: set the cue position. this attaches the current time in the reference file to the position of the cursor in the pattern editor.
- middle click: jump to the beginning of the reference track.
- right click: opens a numeric entry box to set the cue position (offset between the tracker and the reference).
- play/pause.
- preview.
- left click and hold to play the reference file from the correponding position of the current order.
- right click and hold to play the reference file from the correponding position of the pattern editor's cursor.
- **Sync**: toggles synchronization of reference playback with tracker playback.
- **Mix:**: changes how loud the reference file is compared to the tracker.

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@ -2,21 +2,16 @@
the Spectrum window shows the frequency spectrum of the audio output.
<!--IMAGE
![spectrum window]()-->
![spectrum window](spectrum.png)
<!--somehow make this info work-->
the X scale is in Hertz, and the Y scale is in decibels.
the X axis (horizontal logarithmic scale) is frequency in Hz, and the Y axis (vertical linear scale) is amplitude in decibels.
clicking the threeline <!--REPLACE--> button in the top left corner open its configuration.
- **Mono**: whether to mix all the output for a single graph.
- **Bins**: number of bins for the FFT calculation.
---
clicking the three-line "hamburger" button in the top right corner opens a configuration dialog.
- **Mono**: mix all output together to display a single line.
- **Bins**: number of bins for the FFT calculation. higher numbers increase frequency resolution but decrease temporal resolution (slower response).
- **X Zoom**: how much to zoom the X axis.
- **X Offset**: how much to move the X axis.
---
- **X Offset**: how much to move the X axis horizontally.
- **Y Offset**: how much to move the Y axis down.
---
- **Show X Grid**: whether to show the X axis grid lines.
- **Show Y Grid**: whether to show the Y axis grid lines.
- **Show X Scale**: whether to show the X axis scale.

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@ -2,5 +2,10 @@
the Tuner window shows the approximate frequency and note of the audio output.
<!-- IMAGE
![tuner window]()-->
![tuner window](tuner.png)
the meter at the top shows how close the note is to center pitch.
the center displays the approximate note, followed by the calculated peak frequency in Hz and how far from center pitch it is in cents (hundredths of a semitone).
the piano keyboard shows the approximate note.

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