# C64 SID instrument editor the C64 instrument editor consists of two tabs: "C64" to control various parameters of sound channels, and "Macros" containing several macros. ## C64 - **Waveform**: allows selecting a waveform. - more than one waveform can be selected at once. in that case a logical AND mix of waves will occur... - due to hardware flaws, the mixing is a bit weird and sounds different between the 6581 and the 8580. - noise is an exception. it cannot be used with any of the other waveforms. - **Attack**: determines the rising time for the sound. the bigger the value, the slower the attack. (0 to 15). - **Decay**: determines the diminishing time for the sound. the higher the value, the longer the decay (0 to 15). - **Sustain**: sets the volume level at which the sound stops decaying and holds steady (0 to 15). - **Release**: determines the rate at which the sound fades out after note off. the higher the value, the longer the release (0 to 15). - **Duty**: specifies the width of a pulse wave (0 to 4095). - **Ring Modulation**: when enabled, the channel's output will be multiplied with the previous channel's. - **Oscillator Sync**: enables oscillator hard sync. as the previous channel's oscillator finishes a cycle, it resets the period of the channel's oscillator, forcing the latter to have the same base frequency. this can produce a harmonically rich sound, the timbre of which can be altered by varying the synchronized oscillator's frequency. - **Enable filter**: when enabled, this instrument will go through the filter. - **Initialize filter**: initializes the filter with the specified parameters: - **Cutoff**: the filter's point in where frequencies are cut off (0 to 2047). - **Resonance**: amplifies or focuses on the cutoff frequency, creating a secondary peak forms and colors the original pitch (0 to 15). - **Filter mode**: sets the filter mode. you may pick one or more of the following: - **low**: a low-pass filter. the lower the cutoff, the darker the sound. - **high**: a high-pass filter. higher cutoff values result in a less "bassy" sound. - **band**: a band-pass filter. cutoff determines which part of the sound is heard (from bass to treble). - **ch3off**: mutes channel 3 when enabled. not sure why is this part of the chip's design, but it is. - multiple filter modes can be selected simultaneously. for example, selecting both "low" and "high" would combine the effects of both, resulting in a bandpass filter. - **Absolute Cutoff Macro**: when enabled, the cutoff macro will go from 0 to 2047, and it will be absolute (in other words, control the cutoff directly rather than being relative). - **Absolute Duty Macro**: when enabled, the duty macro will go from 0 to 4095. - **Don't test before new note**: this option disables the one-tick hard reset and test bit before a new note. ## Macros - **Volume**: volume sequence. - warning: volume sequence is global! this means it controls the chip's volume and therefore affects all channels. - **Arpeggio**: pitch sequence. - **Duty**: pulse width sequence. - **Waveform**: select the waveform used by instrument. - **Pitch**: fine pitch. - **Cutoff**: filter cutoff. - **Filter mode**: select the filter mode. - **Resonance**: filter resonance sequence. - **Special**: ring and oscillator sync selector, as well as: - **gate bit**: - set (1): key on. if previous state was 0 it triggers envelope start/restart; if previous state was 1, it does nothing. - reset (0): key off. if previous state was 1 it triggers envelope release; if previous state was 0, it does nothing. - **test bit**: - set (1): immediately mute channel - if the channel is a source of ring mod and/or hard sync, those stop working until the bit is reset. - reset (0): unmute channel and restore ring mod/hard sync. - **Attack**: sets envelope attack speed. - if you modify attack speed when the envelope is in attack phase it immediately changes. - **Decay**: sets envelope decay speed. - if you modify decay speed when envelope is in decay phase it immediately changes. - **Sustain**: sets envelope sustain level. - if you modify sustain level when envelope is in sustain phase it immediately changes, although you can only go down. for example, 9-to-8 and 8-to-8 both work, but 8-to-9 immediately mutes the channel. - **Release**: sets envelope release speed. - if you modify release speed when envelope is in release phase it immediately changes.