Docs: Text updates for 0.6.6
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@ -72,6 +72,8 @@
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**LFO**: low frequency oscillator. a wave with a slow period (often below hearing range) used to alter other sounds.
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**LFO**: low frequency oscillator. a wave with a slow period (often below hearing range) used to alter other sounds.
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**LFSR**: linear-feedback shift register. an algorithm of generating pseudo-random noise that loops, also known as "periodic noise". depending on the location of the two "taps" used, different lengths of noise loops are generated.
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**macro**: a sequence of values automatically applied while a note plays.
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**macro**: a sequence of values automatically applied while a note plays.
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**noise bass**: the technique of using a PSG's periodic noise generator with a very short period to create low-frequency sounds.
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**noise bass**: the technique of using a PSG's periodic noise generator with a very short period to create low-frequency sounds.
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@ -86,7 +88,7 @@
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**period**: the length of a repeating waveform. as frequency rises, the period shortens.
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**period**: the length of a repeating waveform. as frequency rises, the period shortens.
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**periodic noise**: an approximation of random noise generated algorithmically.
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**periodic noise**: an approximation of random noise generated algorithmically with an LFSR.
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- the period is the number of values generated until the algorithm repeats itself.
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- the period is the number of values generated until the algorithm repeats itself.
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**phase reset**: to restart a waveform at its initial value.
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**phase reset**: to restart a waveform at its initial value.
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@ -13,10 +13,12 @@ buttons from left to right:
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- right-clicking always brings up the menu.
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- right-clicking always brings up the menu.
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- **Duplicate**: duplicates the currently selected instrument.
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- **Duplicate**: duplicates the currently selected instrument.
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- **Open**: brings up a file dialog to load a file as a new instrument at the end of the list.
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- **Open**: brings up a file dialog to load a file as a new instrument at the end of the list.
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- if the file is an instrument bank, a dialog will appear to select which instruments to load.
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- **Save**: brings up a file dialog to save the currently selected instrument.
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- **Save**: brings up a file dialog to save the currently selected instrument.
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- instruments are saved as Furnace instrument (.fui) files.
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- instruments are saved as Furnace instrument (.fui) files.
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- right-clicking brings up a menu with the following options:
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- right-clicking brings up a menu with the following options:
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- **save instrument as .dmp...**: saves the selected instrument in DefleMask format.
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- **save instrument as .dmp...**: saves the selected instrument in DefleMask format.
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- **save all instruments...**: saves all instruments to the selected folder as .fui files.
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- **Toggle folders/standard view**: enables (and disables) folder view, explained below.
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- **Toggle folders/standard view**: enables (and disables) folder view, explained below.
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- **Move up**: moves the currently selected instrument up in the list. pattern data will automatically be adjusted to match.
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- **Move up**: moves the currently selected instrument up in the list. pattern data will automatically be adjusted to match.
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- **Move down**: same, but downward.
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- **Move down**: same, but downward.
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@ -41,9 +43,10 @@ everything from the instrument list applies here also, with one major difference
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wavetables are saved as Furnace wavetable (.fuw) files.
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wavetables are saved as Furnace wavetable (.fuw) files.
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- right-clicking the Save button brings up a menu with the following options:
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right-clicking the Save button brings up a menu with the following options:
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- **save wavetable as .dmw...**: saves the selected wavetable in DefleMask format.
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- **save wavetable as .dmw...**: saves the selected wavetable in DefleMask format.
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- **save raw wavetable...**: saves the selected wavetable as raw data.
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- **save raw wavetable...**: saves the selected wavetable as raw data.
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- **save all wavetables...**: saves all wavetables to the selected folder as .fuw files.
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## sample list
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## sample list
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@ -57,6 +60,7 @@ samples are saved as standard wave (.wav) files.
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right-clicking the Save button brings up a menu with the following options:
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right-clicking the Save button brings up a menu with the following options:
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- **save raw sample...**: saves the selected sample as raw data.
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- **save raw sample...**: saves the selected sample as raw data.
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- **save all samples...**: saves all samples to the selected folder as .wav files.
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right-clicking a sample in the list brings up a menu:
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right-clicking a sample in the list brings up a menu:
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- **make instrument**: creates a new instrument which is set to use the selected sample.
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- **make instrument**: creates a new instrument which is set to use the selected sample.
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@ -68,6 +68,13 @@ the following settings are available:
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- **loop**: enables loop. if disabled, the song won't loop.
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- **loop**: enables loop. if disabled, the song won't loop.
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- **optimize size**: removes unnecessary commands to reduce size.
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- **optimize size**: removes unnecessary commands to reduce size.
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## ROM
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depending on the system, this option may appear to allow you to export your song to a working ROM image or code that can be built into one. export options are explained in the system's accompanying documentation.
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currently, only one system can be exported this way:
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- [Atari 2600 (TIunA)](../7-systems/tia.md)
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## text
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## text
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this option allows you to export your song as a text file.
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this option allows you to export your song as a text file.
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@ -152,6 +152,7 @@ the keys in the "Global hotkeys" section can be used in any window, although not
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| Expand song | — |
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| Expand song | — |
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| Set note input latch | — |
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| Set note input latch | — |
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| Clear note input latch | — |
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| Clear note input latch | — |
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| Absorb instrument/octave from status at cursor | — |
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| **Instrument list** | |
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| **Instrument list** | |
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| Add instrument | `Insert` |
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| Add instrument | `Insert` |
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@ -93,6 +93,10 @@ settings are saved when clicking the **OK** or **Apply** buttons at the bottom o
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- **Export**: select an `.ini` file to save current settings.
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- **Export**: select an `.ini` file to save current settings.
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- **Factory Reset**: resets all settings to default and purges settings backups.
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- **Factory Reset**: resets all settings to default and purges settings backups.
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### Import
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- **Use OPL3 instead of OPL2 for S3M import**: changes which system is used for the import of S3M files that contain FM channels.
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## Audio
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## Audio
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### Output
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### Output
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@ -15,6 +15,9 @@ however, effects are continuous (unless specified), which means you only need to
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- `F8xx`: **Single tick volume up.** adds `x` to volume.
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- `F8xx`: **Single tick volume up.** adds `x` to volume.
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- `F9xx`: **Single tick volume down.** subtracts `x` from volume.
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- `F9xx`: **Single tick volume down.** subtracts `x` from volume.
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- ---
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- ---
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- `D3xx`: **Volume portamento.** slides volume toward the new value instead of jumping immediately. `x` is the speed of the slide.
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- `D4xx`: **Volume portamento (fast).** same as `D3xx` but 256× faster.
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- ---
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- `07xy`: **Tremolo.** changes volume to be "wavy" with a sine LFO. `x` is the speed. `y` is the depth.
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- `07xy`: **Tremolo.** changes volume to be "wavy" with a sine LFO. `x` is the speed. `y` is the depth.
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- tremolo is downward only.
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- tremolo is downward only.
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- maximum tremolo depth is -60 volume steps.
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- maximum tremolo depth is -60 volume steps.
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@ -72,6 +72,10 @@ the following options are available in the Chip Manager window:
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- DPCM: the default mode, playing 1-bit DPCM samples as supported by the hardware.
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- DPCM: the default mode, playing 1-bit DPCM samples as supported by the hardware.
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- PCM: this mode provides crispier samples by writing the delta counter directly. uses a lot of CPU time in console.
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- PCM: this mode provides crispier samples by writing the delta counter directly. uses a lot of CPU time in console.
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## DPCM sample loop
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due to hardware limitations, a loop in a DPCM sample must start on a multiple of 512 samples (512, 1024, 1536...) and have a length that is a multiple of 128 plus 8 samples (136, 264, 392...)
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## short noise frequencies (NTSC)
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## short noise frequencies (NTSC)
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note | arpeggio | fundamental | MIDI note | pitch
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note | arpeggio | fundamental | MIDI note | pitch
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@ -27,7 +27,9 @@ Furnace isn't complete without this one...
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- `E`: low pure buzzy
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- `E`: low pure buzzy
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- `F`: low reedy
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- `F`: low reedy
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## ROM export
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a song can be exported to assembly code for use with the TIunA software driver for the Atari 2600. see [TIunA on GitHub](https://github.com/AYCEdemo/twin-tiuna) for explanations of the export options.
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## info
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## info
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@ -35,17 +37,6 @@ this chip uses the [TIA](../4-instrument/tia.md) instrument editor.
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the arp macro's fixed mode operates differently, writing the direct pitch to the chip. here's a list of pitches.
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the arp macro's fixed mode operates differently, writing the direct pitch to the chip. here's a list of pitches.
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## chip config
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the following options are available in the Chip Manager window:
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- **Software pitch driver**: use TIunA, a software pitch driver similar to TIATune. it increases pitch precision by rapidly switching between two pitches.
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- **Old pitch table**: use an older method to calculate pitch. only for compatibility.
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- **Mixing mode**: changes mixing mode.
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- **Mono**: normal output.
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- **Mono (no distortion)**: process each channel separately to eliminate distortion.
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- **Stereo**: output two channels on left and right.
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- **PAL**: run slower blah blah blah
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### shape 1
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### shape 1
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@ -69,8 +69,9 @@ in most arcade boards the chip was used in combination with a PCM chip, like [Se
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- `5Exx`: **set D2R/SR of operator 3.**
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- `5Exx`: **set D2R/SR of operator 3.**
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- `5Fxx`: **set D2R/SR of operator 4.**
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- `5Fxx`: **set D2R/SR of operator 4.**
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- `60xx`: **set operator mask.**
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- `60xx`: **set operator mask.**
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- `xx` goes from `0` to `F`. it is a bitfield.
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- `xx` goes from `00` to `0F`. it is a bitfield, so the value is the sum of the active operators' bits:
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- each bit corresponds to an operator.
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- OP1 is +1, OP2 is +2, OP3 is +4, and OP4 is +8.
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- for example, having only OP2 and OP4 on would be 2 + 8 = 10, resulting in an `xx` value of `0A`.
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## info
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## info
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@ -100,8 +100,9 @@ several variants of this chip were released as well, with more features.
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- `5Exx`: **set D2R/SR of operator 3.**
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- `5Exx`: **set D2R/SR of operator 3.**
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- `5Fxx`: **set D2R/SR of operator 4.**
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- `5Fxx`: **set D2R/SR of operator 4.**
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- `60xx`: **set operator mask.**
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- `60xx`: **set operator mask.**
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- `xx` goes from `0` to `F`. it is a bitfield.
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- `xx` goes from `00` to `0F`. it is a bitfield, so the value is the sum of the active operators' bits:
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- each bit corresponds to an operator.
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- OP1 is +1, OP2 is +2, OP3 is +4, and OP4 is +8.
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- for example, having only OP2 and OP4 on would be 2 + 8 = 10, resulting in an `xx` value of `0A`.
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## extended channel 3
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## extended channel 3
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@ -100,8 +100,9 @@ the YM2610 (OPNB) and YM2610B chips are very similar to this one, but the built-
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- `5Exx`: **set D2R/SR of operator 3.**
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- `5Exx`: **set D2R/SR of operator 3.**
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- `5Fxx`: **set D2R/SR of operator 4.**
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- `5Fxx`: **set D2R/SR of operator 4.**
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- `60xx`: **set operator mask.**
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- `60xx`: **set operator mask.**
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- `xx` goes from `0` to `F`. it is a bitfield.
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- `xx` goes from `00` to `0F`. it is a bitfield, so the value is the sum of the active operators' bits:
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- each bit corresponds to an operator.
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- OP1 is +1, OP2 is +2, OP3 is +4, and OP4 is +8.
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- for example, having only OP2 and OP4 on would be 2 + 8 = 10, resulting in an `xx` value of `0A`.
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## extended channel 3
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## extended channel 3
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@ -98,8 +98,9 @@ its soundchip is a 4-in-1: 4ch 4-op FM, YM2149 (AY-3-8910 clone) and [2 differen
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- `5Exx`: **set D2R/SR of operator 3.**
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- `5Exx`: **set D2R/SR of operator 3.**
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- `5Fxx`: **set D2R/SR of operator 4.**
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- `5Fxx`: **set D2R/SR of operator 4.**
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- `60xx`: **set operator mask.**
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- `60xx`: **set operator mask.**
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- `xx` goes from `0` to `F`. it is a bitfield.
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- `xx` goes from `00` to `0F`. it is a bitfield, so the value is the sum of the active operators' bits:
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- each bit corresponds to an operator.
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- OP1 is +1, OP2 is +2, OP3 is +4, and OP4 is +8.
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- for example, having only OP2 and OP4 on would be 2 + 8 = 10, resulting in an `xx` value of `0A`.
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## extended channel 2
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## extended channel 2
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@ -97,8 +97,9 @@ it is backward compatible with the original chip.
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- `5Exx`: **set D2R/SR of operator 3.**
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- `5Exx`: **set D2R/SR of operator 3.**
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- `5Fxx`: **set D2R/SR of operator 4.**
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- `5Fxx`: **set D2R/SR of operator 4.**
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- `60xx`: **set operator mask.**
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- `60xx`: **set operator mask.**
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- `xx` goes from `0` to `F`. it is a bitfield.
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- `xx` goes from `00` to `0F`. it is a bitfield, so the value is the sum of the active operators' bits:
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- each bit corresponds to an operator.
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- OP1 is +1, OP2 is +2, OP3 is +4, and OP4 is +8.
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- for example, having only OP2 and OP4 on would be 2 + 8 = 10, resulting in an `xx` value of `0A`.
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## extended channel 3
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## extended channel 3
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@ -83,8 +83,9 @@ thanks to the Z80 sound CPU, DualPCM can play two samples at once! this mode spl
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- `5Exx`: **set D2R/SR of operator 3.**
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- `5Exx`: **set D2R/SR of operator 3.**
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- `5Fxx`: **set D2R/SR of operator 4.**
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- `5Fxx`: **set D2R/SR of operator 4.**
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- `60xx`: **set operator mask.**
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- `60xx`: **set operator mask.**
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- `xx` goes from `0` to `F`. it is a bitfield.
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- `xx` goes from `00` to `0F`. it is a bitfield, so the value is the sum of the active operators' bits:
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- each bit corresponds to an operator.
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- OP1 is +1, OP2 is +2, OP3 is +4, and OP4 is +8.
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- for example, having only OP2 and OP4 on would be 2 + 8 = 10, resulting in an `xx` value of `0A`.
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## info
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## info
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